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Review:
It is all too easy to pigeon-hole composers. Geminiani, forever associated with Corelli by his violin playing and his concerto transcriptions of his teacher's Op. 5, merits reconsideration. His beautifully crafted music, originally published in London in the late 1720s and early 1730s, is more modern, more bourgeois and certainly less self-conscious than Corelli's, with its appealing tunes, gentle syncopation and disarming twists of harmony. Because he reissued his Opp. 2 and 3 with ornamentation—more than 20 years on—we know at least how he came to wish them to be performed. He was Handel's contemporary in London and, though Geminiani was inevitably in the greater man's shadow, being neither as inspired a composer nor so prolific, the two are known to have entertained mutual respect. |
flac, scans |
Wonderful!!!Thanks a lot.
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